Teaching & Leadership

Curriculum, pedagogy,
and institutional change.

My work in higher education includes film teaching, course and programme leadership, curriculum innovation, and the development of learning frameworks that connect creative practice with industry realities. I am particularly interested in how pedagogy can remain critically grounded while responding to new tools, new workflows, and new student needs.

MetFilm School

Teaching philosophy

How I approach teaching

Teaching film is not the same as teaching about film. The distinction matters: effective film education has to operate simultaneously at the level of craft, critical thinking, and professional formation. Students need to be able to make things, think about what they are making, and understand the industry they are making them for, and these are not separate modules.

My teaching is built around the idea that learning happens through sustained engagement with real problems. Live briefs, industry mentors, and authentic assessment tasks are not decorative additions to a curriculum; they are the architecture that makes learning stick. Alongside this, I am committed to ensuring the critical tradition students encounter is diverse enough to be useful.

Levels & contexts

Taught across

I have taught at Levels 4 through 7 across Ravensbourne University London, University for the Creative Arts (UCA), and MetFilm School. Modules include:

  • Screen Fundamentals & Narrative Film
  • Cinematography & Virtual Production
  • Documentary Narrative
  • Conscious Practitioner
  • Multi-Platform Production & Visual Effects
  • Live Brief & Creative Futures
  • Final Major Project Realisation
  • Project Delivery & Professional Context (MA)

Academic career

Roles in higher education

01

Course leadership  /  undergraduate

Course Leader, BA (Hons) Digital Film Practice

MetFilm School, BIMM University, London · July 2024–present. Lead responsibility for programme design, student development, curriculum review, and the integration of emerging industry practice into undergraduate film education. Working across quality assurance, assessment design, and staff development in a dynamic, industry-facing environment.

2024–present
02

Programme leadership  /  UCA

Film Programme Director

University for the Creative Arts (UCA), Farnham · January 2022–June 2024. Led the film programme portfolio through a period of significant curriculum review. Responsibilities included academic staff development, QAA compliance, external examiner relations, industry partnership development, and engagement with the REF context for practice-based outputs.

2022–2024
03

Senior lectureship  /  Ravensbourne

Senior Lecturer, Television Production & Broadcast Technology

Ravensbourne University London · September 2018–December 2021. Teaching across television production and broadcast technology at undergraduate level, with responsibilities for module leadership, assessment, and programme development. Concurrent with work at MAMA Youth Project.

2018–2021
04

Widening participation  /  technical training

Lead Technical Trainer & Director

MAMA Youth Project, June 2016–May 2019. Designed and delivered broadcast technical training for young people from underrepresented backgrounds. This role directly shaped my thinking about widening participation as a structural curriculum-design challenge rather than a supplementary programme layered on top of existing provision.

2016–2019
05

Festival leadership  /  technical direction

Technical Director, London Breeze Film Festival

Technical direction for the London Breeze Film Festival, overseeing technical infrastructure, screening logistics, and delivery across festival events. View team page →

London Breeze Film Festival
Ongoing

Strategic work

Leadership and development

Beyond teaching, my work spans quality assurance, institutional strategy, and academic development.

Curriculum design

Building programmes that are epistemically coherent as well as industrially relevant. This means making visible the design logic of a curriculum: what is being learned, how it connects, and what it prepares students to do.

Quality assurance

Experience with QAA frameworks, periodic review, assessment board governance, external examiner relations, and programme approval processes. Quality assurance as an opportunity for strategic programme development rather than compliance overhead.

Staff development

Supporting academic staff to develop their practice, sustain their research, and contribute to the wider institutional mission. Building teams that are intellectually alive and pedagogically confident.

Industry partnership

Developing meaningful relationships with industry that go beyond guest lectures and live briefs to shape how programmes are structured, assessed, and positioned in the graduate market.

Education & qualifications

Credentials

EdD in Creative & Media

Bournemouth University · In progress (expected 2029)

MA (Merit) Filmmaking

Kingston University · 2017

BA Mass Communication

American University in Cairo · 1990

PGCert Education & Learning in Higher Education

University of London · 2021

Associate Fellow of the Higher Education Academy (AFHEA)

Advance HE · 2021, in progress

Enhancing Programme Leadership Certificate

Advance HE · 2022

Certified Trainer, DaVinci Resolve

Blackmagic Design · 2023

Certified Instructor, Media Composer

Avid · 2023

Certified Film School Instructor

ARRI · 2023

Documentary Production Management

National Film & Television School · 2014

Adobe Creative Educator (ACE)

Levels 1 & 2

Diversity, Equity & Inclusion in Screen Industries

ScreenSkills · 2024

Affiliated & accredited institutions

Bournemouth University
Kingston University
Advance HE
Blackmagic Design
Avid
ARRI
National Film & Television School
Adobe
ScreenSkills

Curriculum consultancy.

I am available for consultancy on curriculum design, film programme development, and higher education strategy. Get in touch to discuss.

Get in touch